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Diversity Among Architects : from Margin to Center by
Diversity among Architects presents a series of essays questioning the homogeneity of architecture practitioners, who remain overwhelmingly male and Caucasian, to help you create a field more representative of the population you serve. The book is the collected work of author Craig L. Wilkins, an African American scholar and practitioner, and discusses music, education, urban geography, social justice, community design centers, race-space identity, shared landscape, and many more topics.
Call Number: Architecture Library NA1995 .W55 2016ISBN: 9781138900462Publication Date: 2016-03-11
NOMA Magazine by Call Number: https://www.noma.net/noma-magazine/
Segregation and Resistance in the Landscapes of the Americas by
Histories of racial segregation and its impacts have been the focus of urban research for over a century, and yet the role of space, place, and land in these narratives has been largely overlooked. How have land use policies and land access shaped the experience of place? What markings have made evident the lived experience of segregation and its impacts? And how have individuals and communities resisted segregation in their own efforts to make place? With a focus on the Americas, the essays in this volume move across time and space to ask questions about place-making and community building. They explore landscapes and their hidden struggles between segregation and resistance. Drawing upon the collective work of the "Segregation and Resistance in America's Urban Landscapes" symposium organized by Dumbarton Oaks in 2020, these histories of segregation and resistance consider how cultural and spatial practices of separation, identity, response, and revolt are shaped by place and, in turn, inform practices of place-making.
Call Number: HT123 .D815 2020ISBN: 9780884024965Publication Date: 2023-03-21
Cities and the Politics of Difference : Multiculturalism and Diversity in Urban Planning by
Demographic change and a growing sensitivity to the diversity of urban communities have increasingly led planners to recognize the necessity of planning for diversity. Edited by Michael A. Burayidi, Cities and the Politics of Difference offers a guide for making diversity a cornerstone of planning practice.
The essays in this collection cover the practical and theoretical issues that surround this transformation, discussing ways of planning for inclusive and multicultural cities, enhancing the cultural competence of planners, and expanding the boundaries of planning for multiculturalism to include dimensions of diversity other than ethnicity and religion - including sexual and gender minorities and Indigenous communities. The advice of the contributors on how planners should integrate considerations of diversity in all its forms and guises into practice and theory will be valuable to scholars and practitioners at all levels of government.
Call Number: Architecture Library HT166 .C467 2015ISBN: 1442616156Publication Date: 2015
Paul R. Williams: Classic Hollywood Style by
Over a career spanning six decades, architect Paul Revere Williams came to define what gracious living looked like for the Hollywood elite. Williams mastered an array of architectural idioms--including American Colonial, Spanish Mediterranean, English Tudor, French Normandy, Art Deco, and, of course, the California ranch style--to create the sophisticated yet understated showplaces that are featured here in all new full-color photography. Among the most celebrated architects of his generation, Williams was also the first African-American member of the American Institute of Architects, and he was deeply involved in the black community in Los Angeles and in African-American affairs nationally. Williams moved among many worlds, and with celebrity clients such as Frank Sinatra, Lucille Ball and Desi Arnaz, Tyrone Power, and Barbara Stanwyck, as well as clients who made Hollywood run behind the scenes, not to mention members of Los Angeles high society, Williams left his mark in the city's most glamorous and exclusive enclaves--Beverly Hills, Brentwood, Bel Air, and the Hollywood Hills. Paul R. Williams: Classic Hollywood Style is a dazzling tour of this prolific architect's most spectacular houses, by his granddaughter Karen Hudson, with a special focus on their roles not only as places for high living but also as venues for world-class entertaining.
Call Number: Architecture Library NA737.W527 H847 2012ISBN: 9780847838479Publication Date: 2012-04-24
The Architectural Legacy of Wallace A. Rayfield by
In the early 1990s, while cleaning out the barn on his property in Bessemer, Alabama, Allen Durough discovered the remnants of the lifework of African American architect Wallace A. Rayfield, including several hundred of Rayfield's drawings, floor plans, business advertisements, family portraits, and graphic art pieces. This book gathers that priceless material legacy into a cohesive whole, reproducing 159 illustrations that document Rayfield's life and work on two continents. Born in Macon, Georgia, in 1873, Rayfield apprenticed as a young man with the noted architectural firm A. B. Mullet and Company in Washington, DC, before attending HowardUniversity, Pratt Polytechnic Institute, and ultimately graduating with a bachelor of architecture degree from ColumbiaUniversity. He returned south to teach at the Tuskegee Institute and then to establish W. A. Rayfield & Co., Architects, in Birmingham, Alabama. From there he designed buildings for construction across the south (many by mail order) and even in Africa. Rayfield specialized in church architecture, and many of his designs were for black congregations within the state, most notably the SixteenthStreetBaptistChurch in Birmingham. But he also designed schools, office buildings, and private homes. After falling into bankruptcy during the Great Depression, he died in obscurity. Durough includes catalog-style descriptive entries and illustrations of Rayfield's designs for six types of structures: residences, churches, schools, commercial buildings, fraternal buildings, and barns. These entries contain location, commissioning data, and brief structural notes, providing a useful resource for architectural historians and preservationists. A listing of the 359 known Rayfield structures detail their locations in 19 states, plan date, building type, and name. Also included is a biographical sketch of Rayfield, an overview of his publications, and a survey of his professional artwork and advertisements.
Call Number: Architecture Library NA737.R32 D87 2010ISBN: 9780817316839Publication Date: 2010-06-20
New Architecture on Indigenous Lands by
Black Elk speaks of the "square boxes" his people were forced into, and Winona LaDuke of the "boxes of mints" on Native lands. As long as the government was deciding what tribal buildings should look like, Native custom and culture were bound to be boxed in--or boxed out. But in the post-1996 era of more flexible housing policies, Native peoples have assumed a key role in the design of buildings on tribal lands. The result is an architecture that finally accords with the traditions and ideas of the people who inhabit it. A virtual tour of recent Native building projects in Canada and the western and midwestern United States, New Architecture on Indigenous Lands conducts readers through cultural centers and schools, clinics and housing, and even a sugar camp, all while showing how tribal identity is manifested in various distinctive ways. Focusing on such sites as the Tribal Council Chambers of the Pojoaque Pueblo; the Zuni Eagle Sanctuary in New Mexico; the Nk'Mip Desert Cultural Centre in Osoyoos, British Columbia; and the T'lisalagi'lakw Elementary School, Joy Monice Malnar and Frank Vodvarka offer wide-ranging insights into the sensory, symbolic, cultural, and environmental contexts of this new architecture. With close attention to details of design, questions of tradition, and cultural issues, and through interviews with designers and their Native clients, the authors provide an in-depth introduction to the new Native architecture in its many guises--and a rare chance to appreciate its aesthetic power.
Call Number: NA2543.A58 M35 2013ISBN: 9780816677450Publication Date: 2013-07-29
Style and Grace : African Americans at Home by
The doors to America's most soulful homes are thrown wide open in Michael Henry Adams' dynamic new volume, Style and Grace: African Americans at Home. With unprecedented access to the private residences of today's leading African Americans, this deluxe book celebrates and explores the African-American tradition of flair and creativity in home design and decoration. The first book of its kind, it is a rare and intimate portrait of unique individuals living in beautiful surroundings. From the relaxed and comfortable style of Russell Simmons to the eclectic decor of photographer Gordon Parks to the refined elegance of U.S. Congressman Charles Rangel, Style and Grace: African Americans at Home illustrates a wide array of individual design and taste. With easily accessible text, renowned historian and scholar Michael Henry Adams places each individual home within a larger historical and cultural context. His delightful accounts of the residences are paired with more than one hundred fifty original photographs by Mick Hales. Book jacket.
Call Number: Bracken Library Oversize NK2115.5.E84 A33 2003ISBN: 0821228471Publication Date: 2003-09-17
Red lines, black spaces: the politics of race and space in a Black middle-class suburb by
Runyon Heights, a community in Yonkers, New York, has been populated by middle-class African Americans for nearly a century. This book?the first history of a black middle-class community?tells the story of Runyon Heights, which sheds light on the process of black suburbanization and the ways in which residential development in the suburbs has been shaped by race and class. Relying on both interviews with residents and archival research, Bruce D. Haynes describes the progressive stages in the life of the community and its inhabitants and the factors that enabled it to form in the first place and to develop solidarity, identity and political consciousness. He shows how residents came to recognize common political interests within the community, how racial consciousness provided an axis for social solidarity as well as partial insulation from racial slights, and how the suburb afforded these middle-class residents a degree of physical and social distance from the ghetto. As Haynes explores the history of Runyon Heights, we learn the ways in which its black middle class dealt with the tensions between the political interests of race and the material interests of class.
Call Number: F129.Y5 H39 2001ISBN: 9780300124545Publication Date: 2006-10-16
Space Unveiled : Invisible Cultures in the Design Studio by
Since the early 1800s, African Americans have designed signature buildings; however, in the mainstream marketplace, African American architects, especially women, have remained invisible in architecture history, theory and practice. Traditional architecture design studio education has been based on the historical models of the Beaux-Arts and the Bauhaus, with a split between design and production teaching. As the result of current teaching models, African American architects tend to work on the production or technical side of building rather than in the design studio. It is essential to understand the centrality of culture, gender, space and knowledge in design studios. Space Unveiled¿is a significant contribution to the study of architecture education, and the extent to which it has been sensitive to an inclusive cultural perspective. The research shows that this has not been the case in American education because part of the culture remains hidden.
Call Number: Architecture Library NA2543.R37 S63 2015ISBN: 9780415724418Publication Date: 2014-08-01
Dark agoras: insurgent Black social life and the politics of place by Call Number: F158.9.B63 R63 2022ISBN: 9781479831029Publication Date: 2024-02-01
Southern Exposure : the Overlooked Architecture of Chicago's South Side by
Southern Exposure: The Overlooked Architecture of Chicago's South Side is the first book devoted to the South Side's rich and unfairly ignored architectural heritage. With lively, insightful text and gallery-quality color photographs by noted Chicago architecture expert Lee Bey, Southern Exposure documents the remarkable and largely unsung architecture of the South Side. The book features an array of landmarks--from a Space Age dry cleaner to a nineteenth-century lagoon that meanders down the middle of a working-class neighborhood street--that are largely absent from arts discourse, in no small part because they sit in a predominantly African American and Latino section of town better known as a place of disinvestment, abandonment, and violence. Inspired by Bey's 2017 Chicago Architecture Biennial exhibition, Southern Exposure visits sixty sites, including lesser-known but important work by luminaries such as Jeanne Gang, Frank Lloyd Wright, and Eero Saarinen, as well as buildings by pioneering black architects such as Walter T. Bailey, John Moutoussamy, and Roger Margerum. Pushing against the popular narrative that depicts Chicago's South Side as an architectural wasteland, Bey shows beautiful and intact buildings and neighborhoods that reflect the value--and potential--of the area. Southern Exposure offers much to delight architecture aficionados and writers, native Chicagoans and guests to the city alike.
Call Number: Architecture Library NA735.C4 B49 2019ISBN: 9780810140981Publication Date: 2019-10-15
Resilience for All : Striving for Equity Through Community-Driven Design by
In the United States, people of color are disproportionally more likely to live in environments with poor air quality, in close proximity to toxic waste, and in locations more vulnerable to climate change and extreme weather events. In many vulnerable neighborhoods, structural racism and classism prevent residents from having a seat at the table when decisions are made about their community. In an effort to overcome power imbalances and ensure local knowledge informs decision-making, a new approach to community engagement is essential. In Resilience for All, Barbara Brown Wilson looks at less conventional, but often more effective methods to make communities more resilient. She takes an in-depth look at what equitable, positive change through community-driven design looks like in four communities--East Biloxi, MississipΠ the Lower East Side of Manhattan; the Denby neighborhood in Detroit, Michigan; and the Cully neighborhood in Portland, Oregon. These vulnerable communities have prevailed in spite of serious urban stressors such as climate change, gentrification, and disinvestment. Wilson looks at how the lessons in the case studies and other examples might more broadly inform future practice. She shows how community-driven design projects in underserved neighborhoods can not only change the built world, but also provide opportunities for residents to build their own capacities.
Call Number: Architecture Library HT167 .W49 2018ISBN: 9781610918923Publication Date: 2018-05-24
The architecture of Samuel M. Plato : the Marion years, Grant County projects, 1902-1921 (M.S.H.P. Thesis)) by
Samuel M. Plato (1882-1957) is a relatively unknown African-American architect who practiced in Marion, Indiana from 1902-1921. The limited information available concerning Plato has hindered the research and documentation of the architecture produced during this era of his life. The current opinion is that Plato designed and constructed several houses and one church for wealthy white clients, and a single African-American church during his Marion tenure. This project has produced an historical context statement for Marion's African-American community, and a biographical sketch of Samuel M. Plato based primarily on daily newspaper accounts from 1902-1922. This research provided the needed insight to document the role Plato held in black society, and also produced the historical data necessary to document additional Plato structures. The findings of this study will be used to advocate further research and documentation of Plato's work throughout the United States.
Call Number: Architecture Library Theses LD2489.Z785 1998 .S65Publication Date: 1998
Walter Hood : Urban Diaries by
A unique perspective -- creating urban landscape to serve the needs of people in neglected neighborhoods -- is found here. This book urges both designers and the public to find the beginning steps in forging creative solutions to old problems in urban design. The author proposes an approach of inventive responsiveness to address the blight found in areas of disenfranchised populations. Through his upbeat insight into the particular cultural identities of individual communities, and the theoretical remedies he offers tailored to different groups, Hood encourages readers to see the urban landscape with fresh eyes.
Call Number: Architecture Library NA737.H59 A35 1997ISBN: 1888931035Publication Date: 1997-04-01
I. M. Pei : complete works by
When I. M. Pei was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." I. M. Pei: Complete Works, the first and definitive survey of the master architect, attests to this statement by showcasing Pei's transcendent, sculptural forms in over fifty projects and more than 300 illustrations, culminating in the last works he is currently completing. Often working in a spare geometry with a palette of stone, concrete, glass, and steel, Pei--who began his career pioneering public housing projects in New York City--has taken his vision of modern architecture across the globe with commissions in locations as diverse as Quatar, China, Luxembourg, Japan, and Germany. Meanwhile, major projects such as the JFK Library in Boston and the East Building of the National Gallery of Art in Washington, D.C., have made him a household name in the United States.
Call Number: NA737.P365 A3 2008ISBN: 9780847831456Publication Date: 2008-11-04
In Search of African American Space : Redressing Racism by
If African American experience emerges from the structure of slavery, how does architecture relate to that experience? African Americans have claimed space in unexpected locations-often in opposition to architecture as a Eurocentric discipline that has served to regulate and exclude them. In Search of African American Space examines both the historical record and personal and collective memory to uncover these instances. African American space can be creative and aspirational, taking form of speech and performance that reflects its fleeting nature. This anthology of essays from contemporary architects, historians, and artists presents a broad range of knowledge and practices that evoke consciousness of this form of space-making in the afterlife of slavery. Book jacket.
Call Number: Architecture Library N8232 .I57 2020ISBN: 9783037786338Publication Date: 2020-09-29
Black Built: History and Architecture in the Black Community by
While Black architects produce extraordinary works, they account for only two percent of the profession in the United States. Many of their works exist in the Black community and have helped preserve and restore history and culture. Though architecture is often not associated with Black Culture, it is an integral aspect in defining a community and requires careful consideration of design, context, and resident relationships.This book explores over forty works by Black architects and their impact in the Black community. A wide variety of projects are featured, from residences of affluent African Americans, to historic churches, to memorials and museums of Black culture and history. Each work, through brief examination of its history and architecture, exhibits the magnificent work of Black architects from past to present, and provides inspiration to architects of current and future generations.
Call Number: Architecture Library NA738.N5 W45 2019ISBN: 9781732965119Publication Date: 2019-03-15- Moody Nolan: Aesthetics, Function, Technology by
"In the panorama of contemporary architecture the work of MoodyNolan, an American studio based in Columbus, Ohio, is distinguished by the rigor of its functional structures, the quality of its formal aspects, and its capacity to consistently adapt to the needs of its clients, both public and private. These characteristics have made it possible for MoodyNolan to design diverse architectural typologies, from sports facilities to industrial edifices, from university complexes to health or cultural buildings, expressing at every site the studio's individual design philosophy and singular style."
Call Number: Architecture Library NA737.M64 A4 2002ISBN: 8878381446Publication Date: 2003-01-01
The Folklore of the Freeway : Race and Revolt in the Modernist City by
When the interstate highway program connected America's cities, it also divided them, cutting through and destroying countless communities. Affluent and predominantly white residents fought back in a much heralded "freeway revolt," saving such historic neighborhoods as Greenwich Village and New Orleans's French Quarter. This book tells of the other revolt, a movement of creative opposition, commemoration, and preservation staged on behalf of the mostly minority urban neighborhoods that lacked the political and economic power to resist the onslaught of highway construction. Within the context of the larger historical forces of the 1960s and 1970s, Eric Avila maps the creative strategies devised by urban communities to document and protest the damage that highways wrought. The works of Chicanas and other women of color--from the commemorative poetry of Patricia Preciado Martin and Lorna Dee Cervantes to the fiction of Helena Maria Viramontes to the underpass murals of Judy Baca--expose highway construction as not only a racist but also a sexist enterprise. In colorful paintings, East Los Angeles artists such as David Botello, Carlos Almaraz, and Frank Romero satirize, criticize, and aestheticize the structure of the freeway. Local artists paint murals on the concrete piers of a highway interchange in San Diego's Chicano Park. The Rondo Days Festival in St. Paul, Minnesota, and the Black Archives, History, and Research Foundation in the Overtown neighborhood of Miami preserve and celebrate the memories of historic African American communities lost to the freeway. Bringing such efforts to the fore in the story of the freeway revolt, The Folklore of the Freeway moves beyond a simplistic narrative of victimization. Losers, perhaps, in their fight against the freeway, the diverse communities at the center of the book nonetheless generate powerful cultural forces that shape our understanding of the urban landscape and influence the shifting priorities of contemporary urban policy.
Call Number: Architecture Library HE355.3.E94 A95 2014ISBN: 9780816680733Publication Date: 2014-06-21
The Aesthetics of Equity : notes on race, space, architecture, and music by
Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today. Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture. Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies. Craig L. Wilkins, a registered architect, teaches architecture and urban planning at the University of Michigan.
Call Number: Architecture Library NA2543.R37 W55 2007ISBN: 0816646619Publication Date: 2007-10-26
Chocolate Cities : the Black map of American life by
From Central District Seattle to Harlem to Holly Springs, Black people have built a dynamic network of cities and towns where Black culture is maintained, created, and defended. But imagine--what if current maps of Black life are wrong? Chocolate Cities offers a refreshing and persuasive rendering of the United States--a "Black map" that more accurately reflects the lived experiences and the future of Black life in America. Drawing on film, fiction, music, and oral history, Marcus Anthony Hunter and Zandria F. Robinson trace the Black American experience of race, place, and liberation, mapping it from Emancipation to now. As the United States moves toward a majority minority society, Chocolate Cities provides a provocative, broad, and necessary assessment of how racial and ethnic minorities make and change America's social, economic, and political landscape.
Call Number: eBook; print book in Bracken Library E185 .H86 2018ISBN: 9780520292833Publication Date: 2018-01-16
Black in Place : the spatial aesthetics of race in a post-Chocolate City by
While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness--as a representation of diversity--is marketed to sell a progressive, "cool," and authentic experience of being in and moving through an urban center. Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.'s Black residents.
Call Number: Architecture Library HT177.W3 S84 2019ISBN: 9781469654010Publication Date: 2019-11-25
The Most Segregated City in America : city planning and civil rights in Birmingham, 1920-1980 by
One of Planetizen’s Top Ten Books of 2006 "But for Birmingham," Fred Shuttleworth recalled President John F. Kennedy saying in June 1963 when he invited black leaders to meet with him, "we would not be here today." Birmingham is well known for its civil rights history, particularly for the violent white-on-black bombings that occurred there in the 1960s, resulting in the city’s nickname "Bombingham." What is less well known about Birmingham’s racial history, however, is the extent to which early city planning decisions influenced and prompted the city’s civil rights protests. The first book-length work to analyze this connection, "The Most Segregated City in America": City Planning and Civil Rights in Birmingham, 1920–1980 uncovers the impact of Birmingham’s urban planning decisions on its black communities and reveals how these decisions led directly to the civil rights movement. Spanning over sixty years, Charles E. Connerly’s study begins in the 1920s, when Birmingham used urban planning as an excuse to implement racial zoning laws, pointedly sidestepping the 1917 U.S. Supreme Court Buchanan v. Warley decision that had struck down racial zoning. The result of this obstruction was the South’s longest-standing racial zoning law, which lasted from 1926 to 1951, when it was redeclared unconstitutional by the U.S. Supreme Court. Despite the fact that African Americans constituted at least 38 percent of Birmingham’s residents, they faced drastic limitations to their freedom to choose where to live. When in the1940s they rebelled by attempting to purchase homes in off-limit areas, their efforts were labeled as a challenge to city planning, resulting in government and court interventions that became violent. More than fifty bombings ensued between 1947 and 1966, becoming nationally publicized only in 1963, when four black girls were killed in the bombing of the Sixteenth Street Baptist Church. Connerly effectively uses Birmingham’s history as an example to argue the importance of recognizing the link that exists between city planning and civil rights. His demonstration of how Birmingham’s race-based planning legacy led to the confrontations that culminated in the city’s struggle for civil rights provides a fresh lens on the history and future of urban planning, and its relation to race.
Call Number: Bracken Library F334.B69 N428 2005ISBN: 0813923344Publication Date: 2005-07-19
Little White Houses : how the postwar home constructed race in America by
A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.After describing the ordinary postwar house and its orderly, prescribed layout, Harris analyzes how cultural iconography associated these houses with middle-class whites and an ideal of white domesticity. She traces how homeowners were urged to buy specific kinds of furniture and other domestic objects and how the appropriate storage and display of these possessions was linked to race and class by designers, tastemakers, and publishers. Harris also investigates lawns, fences, indoor-outdoor spaces, and other aspects of the postwar home and analyzes their contribution to the assumption that the rightful owners of ordinary houses were white.Richly detailed, Little White Houses adds a new dimension to our understanding of race in America and the inequalities that persist in the U.S. housing market.
Call Number: Architecture Library NA2543.R37 H37 2013ISBN: 0816654565Publication Date: 2013-02-19
Regarding Paul R. Williams by
Janna Ireland, an award-winning photographer, presents a collection of stunning, intimate black-and-white photographs of the work of Paul Revere Williams, who was known as "Hollywood's Architect" and was the first black architect admitted to the American Institute of Architecture. Regarding Paul R. Williams: A Photographer's Viewis a photographic exploration of the work of the first AIA-certified African American architect west of the Mississippi River. Known as "Hollywood's Architect", Paul Revere Williams was a Los Angeles native who built a wildly successful and as an architect decades before the Civil Rights Movement. He designed municipal buildings and private homes as well as banks, churches, hospitals, and university halls. He designed public housing projects and mansions for celebrities like Frank Sinatra and Lucille Ball. In 1923, Williams became the first black member of the American Institute of Architects. In 2017, nearly forty years after his death, he became the first black recipient of the AIA Gold Medal. In her book Regarding Paul R. Williams: A Photographer's View,artist Janna Ireland explores the work and legacy of Williams through a series of intimate black-and-white photographs. Ireland gives the reader a vision of Williams that is both universal and highly personal. More than a book of architectural photographs, Regarding Paul R. Williamsis the result of one artist's encounter with another, connecting across different generations within the same city.
Call Number: Architecture Library NA737.W527 A4 2020ISBN: 9781626400818Publication Date: 2020-09-15
Building Character : the racial politics of modern architectural style by
In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of "race" and "style" as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists--Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze--to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.
Call Number: Architecture Library NA2543.R37 D385 2019ISBN: 9780822945550Publication Date: 2019-11-19
Bittersweet Heritage: Slavery, Architecture and the British Landscape by Call Number: NA2543.S6 P484 2022ISBN: 9781787386969Publication Date: 2022-10-01
Building black: towards antiracist architecture by Call Number: NA2543.R37 M37 2022ISBN: 9781685710286Publication Date: 2022-05-19
Preserving African American Places: Growing Preservation's Potential as a Path for Equity by
From the website: This report seeks to elevate emerging ideas, research, observations, and questions on the critically important issues of equitable development, social justice, and the practice of preservation.
Call Number: Open AccessPublication Date: October 2020
Amaza Lee Meredith Imagines Herself Modern : Architecture and the Black American Middle Class by
The extraordinary life and work of architect Amaza Lee Meredith, and the role modernism and material culture played in the aspiring Black American middle class of the early twentieth century. Amaza Lee Meredith Imagines Herself Modern tells the captivating story of Amaza Lee Meredith, a Black woman architect, artist, and educator born into the Jim Crow South, whose bold choices in both life and architecture expand our understanding of the Great Migration and the Harlem Renaissance, while revealing the importance of architecture as a force in Black middle-class identity. Through her charismatic protagonist, Jacqueline Taylor derives new insights into the experiences of Black women at the forefront of culture in early twentieth-century America, caught between expectation and ambition, responsibility and desire. Central to Taylor's argument is that Meredith's response to modern architecture and art, like those of other Black cultural producers, was not marginal to the modernist project; instead, her work reveals the tensions and inconsistencies in how American modernism has been defined. In this way, the book shines a necessary light on modernism's complexity, while overturning perceived notions of race and gender in relation to the modernist project and challenging the notion of the white male hero of modern architecture.
Call Number: NA737.M46 T39 2023ISBN: 9780262048347Publication Date: 2023-11-28
Reconstructions: Architecture and Blackness in America by
How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition.
Call Number: Architecture Library NA738.N5 R43 2021ISBN: 9781633451148Publication Date: 2021-03-02
Hip-Hop Architecture by
"This book is not for you. It is not for architectural academic elites. It is not for those who have gentrified our neighborhoods, overly intellectualized the profession, and ignored all contemporary Black theory within the discipline. You have made architecture a symbol of exclusion, oppression, and domination rather than expression, aspiration, and inspiration. This book is not for conformists-Black, White, or other." As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. Exploring the production of spaces, buildings, and urban environments that embody the creative energies in hip-hop, it is a newly expanding design philosophy which sees architecture as a distinct part of hip-hop's cultural expression, and which uses hip-hop as a lens through which to provoke new architectural ideas. Examining the present and the future of Hip-Hop Architecture, the book also explores its historical antecedents and its theory, placing it in a wider context both within architecture and within Black and African American movements. Throughout, the work is illustrated with inspirational case studies of architectural projects and creative practices, and interspersed with interludes and interviews with key architects, designers, and academics in the field. This is a vital and provocative work that will appeal to architects, designers, students, theorists, and anyone interested in a fresh view of architecture, design, race and culture. Includes Foreword by Michael Eric Dyson.
Call Number: Architecture Library NA2500 .C665 2021ISBN: 9781350116153Publication Date: 2021-04-22
Moody Nolan Design by
From modest beginnings in an old house in Columbus, Ohio, architects Curtis Moody and Howard E. Nolan have built Moody Nolan into one of the premier public and institutional architecture design firms in the country. Through a combination of entrepreneurial persistence and outsized talent, the award-winning partnership has completed a highly diverse range of projects--from schools and libraries to fire stations and prisons--in more than forty states. With nearly two hundred employees working in regional offices across the country, Moody Nolan has developed a consistent design ethos centered on humane values and the notion of an architecture that responds naturally to site and programmatic requirements. Their signature brand of responsive architecture utilizes transparency, layering, and massing to leave a lasting impression on their building's visitors and inhabitants. Featuring lush photography that beautifully illustrates their design philosophy, Moody Nolan Design presents the innovative firm's complete oeuvre of built projects.
Call Number: Architecture Library NA737.M64 A4 2013ISBN: 9781890449636Publication Date: 2013-10-01
The Color of Law : a Forgotten History of How Our Government Segregated America by
One of Publishers Weekly's 10 Best Books of 2017 Longlisted for the National Book Award This "powerful and disturbing history" exposes how American governments deliberately imposed racial segregation on metropolitan areas nationwide (New York Times Book Review). In this groundbreaking history of the modern American metropolis, Richard Rothstein, a leading authority on housing policy, explodes the myth that America's cities came to be racially divided through de facto segregation--that is, through individual prejudices, income differences, or the actions of private institutions like banks and real estate agencies. Rather, The Color of Law incontrovertibly makes clear that it was de jure segregation--the laws and policy decisions passed by local, state, and federal governments--that actually promoted the discriminatory patterns that continue to this day. Through extraordinary revelations and extensive research that Ta-Nehisi Coates has lauded as "brilliant" (The Atlantic), Rothstein comes to chronicle nothing less than an untold story that begins in the 1920s, showing how this process of de jure segregation began with explicit racial zoning, as millions of African Americans moved in a great historical migration from the south to the north. As Jane Jacobs established in her classic The Death and Life of Great American Cities, it was the deeply flawed urban planning of the 1950s that created many of the impoverished neighborhoods we know. Now, Rothstein expands our understanding of this history, showing how government policies led to the creation of officially segregated public housing and the demolition of previously integrated neighborhoods. While urban areas rapidly deteriorated, the great American suburbanization of the post-World War II years was spurred on by federal subsidies for builders on the condition that no homes be sold to African Americans. Finally, Rothstein shows how police and prosecutors brutally upheld these standards by supporting violent resistance to black families in white neighborhoods. The Fair Housing Act of 1968 prohibited future discrimination but did nothing to reverse residential patterns that had become deeply embedded. Yet recent outbursts of violence in cities like Baltimore, Ferguson, and Minneapolis show us precisely how the legacy of these earlier eras contributes to persistent racial unrest. "The American landscape will never look the same to readers of this important book" (Sherrilyn Ifill, president of the NAACP Legal Defense Fund), as Rothstein's invaluable examination shows that only by relearning this history can we finally pave the way for the nation to remedy its unconstitutional past.
Call Number: Bracken Library E185.61 .R8185 2017ISBN: 9781631492853Publication Date: 2017-05-02
Julian Abele, Architect, and the Beaux Arts by
Julian Abele, Architect and the Beaux Arts uncovers the life of one of the first beaux arts trained African American architects. Overcoming racial segregation at the beginning of the twentieth century, Abele received his architecture degree from the University of Pennsylvania in 1902. Wilson traces Abele¿s progress as he went on to become the most formally educated architect in America at that time. Abele later contributed to the architectural history of America by designing over 200 buildings throughout his career including the Widener Memorial Library (1913) at Harvard University and the Free Library of Philadelphia (1917). Architectural history is a valuable resource for those studying architecture. As such this book is beneficial for academics and students of architecture and architectural historians with a particular interest in minority discussions.
Call Number: Architecture Library NA737.A24 W55 2019ISBN: 9781138496477Publication Date: 2019-02-12
Dark Space : Architecture, Representation, Black Identity by
This collection of essays by architect Mario Gooden investigates the construction of African American identity and representation through the medium of architecture. These five texts move between history, theory, and criticism to explore a discourse of critical spatial practice engaged in the constant reshaping of the African Diaspora. African American cultural institutions designed and constructed in recent years often rely on cultural stereotypes, metaphors, and clichés to communicate significance, demonstrating "Africanisms" through form and symbolism--but there is a far richer and more complex heritage to be explored. Presented here is a series of questions that interrogate and illuminate other narratives of "African American architecture," and reveal compelling ways of translating the philosophical idea of the African Diaspora's experience into space.
Call Number: Architecture Library NA2543.R37 G66 2016ISBN: 9781941332139Publication Date: 2016-02-23
The Big Asian Book of Landscape Architecture by
This book provides one of the first comprehensive discussions of contemporary landscape architecture practice across the Asian region. Bringing together established designers, writers, and thinkers with those of the new generation, Jillian Walliss and Heike Rahmann explore what it means to design, do business, and think about nature, space, and urbanism with an Asian sensibility. Through a tripartite structure of Continuum, Interruption, and Speed, The Big Asian Book of Landscape Architecture develops ways for conceiving design around these three characteristics that simultaneously influence an Asian practice.A dynamic structure allows readers to dip into content, rather than progress in a linear manner. Each section begins with a positioning essay, which offer theoretical, cultural, and political contextualisation for the more focused academic writing, shorter reflections, practice interviews, photo essays and design projects which are interwoven in a unique graphic design. Featuring over eighty design projects, The Big Asian Book of Landscape Architecture's significance extends well beyond Asia, offering fresh perspectives for a field that has traditionally been dominated by North American and European influences.
Call Number: SB469.35.A75 W35 2020ISBN: 9783868596120Publication Date: 2021-04-15
When Ivory Towers Were Black : a Story About Race in America's Cities and Universities by
When Ivory Towers Were Black lies at the potent intersection of race, urban development, and higher education. It tells the story of how an unparalleled cohort of ethnic minority students earned degrees from a world-class university. The story takes place in New York City at Columbia University's School of Architecture and spans a decade of institutional evolution that mirrored the emergence and denouement of the Black Power Movement. Chronicling a surprisingly little-known era in U.S. educational, architectural, and urban history, the book traces an evolutionary arc that begins with an unsettling effort to end Columbia's exercise of authoritarian power on campus and in the community, and ends with an equally unsettling return to the status quo. When Ivory Towers Were Black follows two university units that steered the School of Architecture toward an emancipatory approach to education early along its evolutionary arc: the school's Division of Planning and the university-wide Ford Foundation-funded Urban Center. It illustrates both units' struggle to open the ivory tower to ethnic minority students and to involve them, and their revolutionary white peers, in improving Harlem's slum conditions. The evolutionary arc ends as backlash against reforms wrought by civil rights legislation grew and whites bought into President Richard M. Nixon's law-and-order agenda. The story is narrated through the oral histories of twenty-four Columbia alumni who received the gift of an Ivy League education during this era of transformation but who exited the School of Architecture to find the doors of their careers all but closed due to Nixon-era urban disinvestment policies. When Ivory Towers Were Black assesses the triumphs and subsequent unraveling of this bold experiment to achieve racial justice in the school and in the nearby Harlem/East Harlem community. It demonstrates how the experiment's triumphs lived on not only in the lives of the ethnic minority graduates but also as best practices in university/community relationships and in the fields of architecture and urban planning. The book can inform contemporary struggles for racial and economic equality as an array of crushing injustices generate movements similar to those of the 1960s and '70s. Its first-person portrayal of how a transformative process was reversed can help extend the period of experimentation, and it can also help reopen the door of opportunity to ethnic minority students, who are still in strikingly short supply in elite professions like architecture and planning.
Call Number: Architecture Library NA2300.C635 S87 2017ISBN: 9780823276127Publication Date: 2017-03-01
Begin with the Past : building the National Museum of African American History & Culture by
The Building of the National Museum of African American History and Culture traces the making of this unparalleled museum. Founding director Lonnie G. Bunch III described it as "ten years in the making, and 100 years in the making," and Mabel O. Wilson explores that effort in her narrative. As she discovers, initial calls for a permanent place to collect, study, and present African American history and culture in the early twentieth century never got off the ground. In the late 1990s, the notion began to gain momentum from increasing public interest and Congressional support. In 2003 the museum was officially established. Yet the work of the museum was only just beginning. Wilson takes an in-depth look at the selection of the director, site, and architects in the years that followed. Rising on the National Mall next to the Washington Monument, the museum is a tiered bronze beacon inviting us to understand our past and embrace our future. Wilson explores how the "four pillars" of the museum's mission shaped its powerful structure, and she teases out the rich cultural symbols and homages layered into the design of the building and its surrounding landscape. This book is an important inside look at the making of a monument.
Call Number: Architecture Library NA6700.W37 W55 2016ISBN: 9781588345691Publication Date: 2016-09-27
Mapping Detroit : Land, Community, and Shaping a City by
One of Detroit's most defining modern characteristics--and most pressing dilemmas--is its huge amount of neglected and vacant land. In Mapping Detroit: Land, Community, and Shaping a City, editors June Manning Thomas and Henco Bekkering use chapters based on a variety of maps to shed light on how Detroit moved from frontier fort to thriving industrial metropolis to today's high-vacancy city. With contributors ranging from a map archivist and a historian to architects, urban designers, and urban planners, Mapping Detroit brings a unique perspective to the historical causes, contemporary effects, and potential future of Detroit's transformed landscape. To show how Detroit arrived in its present condition, contributors in part 1, Evolving Detroit: Past to Present, trace the city's beginnings as an agricultural, military, and trade outpost and map both its depopulation and attempts at redevelopment. In part 2, Portions of the City, contributors delve into particular land-related systems and neighborhood characteristics that encouraged modern social and economic changes. Part 2 continues by offering case studies of two city neighborhoods--the Brightmoor area and Southwest Detroit--that are struggling to adapt to changing landscapes. In part 3, Understanding Contemporary Space and Potential, contributors consider both the city's ecological assets and its sociological fragmentation to add dimension to the current understanding of its emptiness. The volume's epilogue offers a synopsis of the major points of the 2012 Detroit Future City report, the city's own strategic blueprint for future land use. Mapping Detroit explores not only what happens when a large city loses its main industrial purpose and a major portion of its population but also what future might result from such upheaval. Containing some of the leading voices on Detroit's history and future, Mapping Detroit will be informative reading for anyone interested in urban studies, geography, and recent American history.
Call Number: Architecture Library F574.D457 M37 2015ISBN: 9780814340264Publication Date: 2015-03-16
Robert R. Taylor and Tuskegee by
Robert R. Taylor and Tuskegee interweaves the life of the first academically trained African American architect with his life's work--the campus of Booker T. Washington's Tuskegee Normal and Industrial Institute. In this richly illustrated architectural history, the author delves into such questions of how a black boy born in North Carolina shortly after the Civil War could earn a professional architecture degree at MIT, and how he then used his design and administrative skills to further Booker T. Washington's agenda of community solidarity and, in defiance of strengthening Jim Crow, the public expression of racial pride and progress. The book also considers such issues as architectural education for African Americans at the turn of the twentieth century, the white donors who funded Tuskegee's buildings, other Tuskegee architects, and Taylor's buildings elsewhere. Individual narratives of Taylor's Tuskegee buildings conclude the volume.
Call Number: Architecture Library LC2851.T818 T399 2012ISBN: 9781588382481Publication Date: 2011-09-01
Black Eden : the Idlewild Community by
Black Eden chronicles the history of Idlewild, a Michigan black community founded during the aftermath of the Civil War. As one of the nation's most popular black resorts, Idlewild functioned as a gathering place for African Americans, and more importantly as a touchstone of black identity and culture. Benjamin C. Wilson and Lewis Walker examine Idlewild's significance within a historical context, as well as the town's revitalization efforts and the need for comprehensive planning in future development. In a segregated America, Idlewild became a place where black audiences could see rising black entertainers. Profusely illustrated with photos from the authors' personal collections, Black Eden provides a lengthy discussion about the crucial role that Idlewild played in the careers of artists such as Louis Armstrong, B. B. King, Sammy Davis Jr., Jackie Wilson, Aretha Franklin, and Della Reese. Fundamentally, the book explores issues involved in living in a segregated society, the consequences of the civil rights movement, the Civil Rights Act of 1964 and subsequent integration, and the consequences of integration vs. racial solidarity. The authors ask: Did integration kill Idlewild?, suggesting rather that other factors contributed to its decline.
Call Number: Bracken Library F574.I35 W35 2002ISBN: 9780870136221Publication Date: 2002-02-28
Maya Lin a strong clear vision by
Reveals the origins of the Vietnam Veterans Memorial and tells the story of its creator, a 21-year-old Yale architecture student. Lin's plan was selected from over 1,000 different designs and what began as one of the country's most bitterly disputed monuments became one of the world's most inspirational and frequently visited memorials.
Call Number: DVD VIDEO 5531ISBN: 9780767055659Publication Date: 2003
Well-intentioned whiteness: green urban development and Black resistance in Kansas City by
This book documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Chhaya Kolavalli explores how urban food projects-central to the city's approach to green urbanism-are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects. Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City-one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city. Well-Intentioned Whiteness shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities-even through progressive policy agendas-is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.
Call Number: HT243.U62 K365 2023ISBN: 9780820364094Publication Date: 2023-04-15
Places for the Spirit : Traditional African American Gardens by
Places for the Spirit is a stunning collection of over 80 documentary photographs of African American folk gardens -- and their creators -- in the Deep South (Louisiana, Mississippi, Alabama, Georgia, South Carolina, and North Carolina). These landscapes have a unique historical significance due to the design elements and spiritual meanings that have been traced to the yards and gardens of American slaves and further back to their prior African heritage. These deceptively casual or whimsical foliage arrangements are subtle and symbolic reminders of the divine in everyday life, the cycles of nature, and implied right and wrong ways to live. In the spirit of "outsider" art traditions, blues musical roots, and other such folk manifestations, these gardens have a unique aesthetic and cultural significance. Over 20 years in the making, this is the first collection of fine art photography to document this subject and, as such, it adds greatly to our understanding and appreciation of this disappearing element of African American culture.
Call Number: Architecture Library SB457.527 .S55 2010ISBN: 9781595340641Publication Date: 2010-08-31
The Land Has Memory : indigenous knowledge, native landscapes, and the National Museum of the American Indian by
In the heart of Washington, D.C., a centuries-old landscape has come alive in the twenty-first century through a re-creation of the natural environment as the region's original peoples might have known it. Unlike most landscapes that surround other museums on the National Mall, the natural environment around the Smithsonian's National Museum of the American Indian (NMAI) is itself a living exhibit, carefully created to reflect indigenous ways of thinking about the land and its uses. Abundantly illustrated, The Land Has Memory offers beautiful images of the museum's natural environment in every season as well as the uniquely designed building itself. Essays by Smithsonian staff and others involved in the museum's creation provide an examination of indigenous peoples' long and varied relationship to the land in the Americas, an account of the museum designers' efforts to reflect traditional knowledge in the creation of individual landscape elements, detailed descriptions of the 150 native plant species used, and an exploration of how the landscape changes seasonally. The Land Has Memory serves not only as an attractive and informative keepsake for museum visitors, but also as a thoughtful representation of how traditional indigenous ways of knowing can be put into practice.
Call Number: E98.B7 L36 2008ISBN: 0807859362Publication Date: 2009-02-01
African-American Architects in Current Practice by Call Number: Architecture Library NA738.N5 A45 1991ISBN: 1878271385Publication Date: 1992-09-01
Places of Their Own: African American Suburbanization in the Twentieth Century by
On Melbenan Drive just west of Atlanta, sunlight falls onto a long row of well-kept lawns. Two dozen homes line the street; behind them wooden decks and living-room windows open onto vast woodland properties. Residents returning from their jobs steer SUVs into long driveways and emerge from their automobiles. They walk to the front doors of their houses past sculptured bushes and flowers in bloom. For most people, this cozy image of suburbia does not immediately evoke images of African Americans. But as this pioneering work demonstrates, the suburbs have provided a home to black residents in increasing numbers for the past hundred years—in the last two decades alone, the numbers have nearly doubled to just under twelve million. Places of Their Own begins a hundred years ago, painting an austere portrait of the conditions that early black residents found in isolated, poor suburbs. Andrew Wiese insists, however, that they moved there by choice, withstanding racism and poverty through efforts to shape the landscape to their own needs. Turning then to the 1950s, Wiese illuminates key differences between black suburbanization in the North and South. He considers how African Americans in the South bargained for separate areas where they could develop their own neighborhoods, while many of their northern counterparts transgressed racial boundaries, settling in historically white communities. Ultimately, Wiese explores how the civil rights movement emboldened black families to purchase homes in the suburbs with increased vigor, and how the passage of civil rights legislation helped pave the way for today's black middle class. Tracing the precise contours of black migration to the suburbs over the course of the whole last century and across the entire United States, Places of Their Own will be a foundational book for anyone interested in the African American experience or the role of race and class in the making of America's suburbs. Winner of the 2005 John G. Cawelti Book Award from the American Culture Association. Winner of the 2005 Award for Best Book in North American Urban History from the Urban History Association.
Call Number: Bracken Library E185.86 .W43885 2003ISBN: 0226896412Publication Date: 2004-02-29
Overground Railroad : the Green Book and the roots of Black travel in America by
A New York Times Notable Book of 2020; The first book to explore the historical role and residual impact of the Green Book, a travel guide for black motorists Published from 1936 to 1966, the Green Book was hailed as the "black travel guide to America." At that time, it was very dangerous and difficult for African-Americans to travel because black travelers couldn't eat, sleep, or buy gas at most white-owned businesses. The Green Book listed hotels, restaurants, gas stations, and other businesses that were safe for black travelers. It was a resourceful and innovative solution to a horrific problem. It took courage to be listed in the Green Book, and Overground Railroad celebrates the stories of those who put their names in the book and stood up against segregation. It shows the history of the Green Book, how we arrived at our present historical moment, and how far we still have to go when it comes to race relations in America.
Call Number: eBookISBN: 9781683356578Publication Date: 2020-01-07
Responsive Architecture: Moody-Nolan Recent Work by
Twenty-five years ago, Curtis Moody founded his architectural practice in an improvised office inside an old house in Columbus, Ohio, where a bathtub served as an ad-hoc drawings cabinet. As word spread of his outsized talent, Moody attracted a growing number of impressive clients and projects. Howard E. Nolan joined Moody in 1984, and newly formed Moody Nolan flourished. Today, Moody Nolan has become one of the fastest-growing architectural firms in the nation.Responsive Architecture presents the finest examples of Moody Nolan's recent work. The selection of photographs and technical drawings makes clear the firm's guiding design principles. Author Morris Newman explores the firm's consistent design ethos, centered on humane values and the notion ofresponsive architecture as a mode of inquiry. The book features a selection of recent work including the Jesse OwensMemorial Stadium and the Jerome Schottenstein Center, both exciting new campus buildings at Ohio State University. Theseand numerous other examples reveal an architecture that responds naturally to context and client needs while remainingengaged in complexities born fromexperiments in transparency, layering, and massing.Responsive Architecture: Moody Nolan Recent Work is a lesson in crafting unique, memorable responses for users and visitors, thereby ensuring work that will stand the test of time.
Call Number: Architecture Library NA737.M64 A4 2008ISBN: 9781890449469Publication Date: 2008-05-01
Contemporary Native American Architecture : cultural regeneration and creativity by
This text covers a new kind of architecture which reflects a culture in formation. Since the mid-1960s, Native Americans have taken part in a widespread movement of cultural regeneration - a term that embraces everything from continuity and reinforcement to invention. As part of this movement, tribal governments and supra-tribal urban groups have commisssioned dozens of buildings that are creating a modern Amerindian architecture. The author focuses on ethnic particularity in contemporary architecture, and on its social consequences.
Call Number: E98.A63 K75 1996ISBN: 0195097394Publication Date: 1996-12-19
Sites of Memory : perspectives on architecture and race by
The issue of race in architecture is a complicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape it. These essays explore the historic and contemporary effects of race upon the development of the built environment, and examine the myths and realities of America's racial landscapes. Its multi-disciplinary approach identifies and interprets the black cultural landscape, examining its visual, spatial, and ideological dimensions. Contributors to this collection include Nathaniel Belcher, Felicia Davis, Sheryl Tucker deVasquez, K. Ian Grandison, Bradford Grant, Walter Hood, and Mabel O. Wilson.
Call Number: Architecture Library E185.86 .S595 2001ISBN: 156898233XPublication Date: 2001-03-01
Landscape and Race in the United States by
Landscape and Race in the United States is the definitive volume on racialized landscapes in the United States. Edited by Richard Schein, each essay isnbsp;grounded in a particular location but all of the essaysnbsp;are informed by the theoretical vision that the cultural landscapes of America are infused with race and America's racial divide. While featuring the black/white divide, the book also investigates other social landscapes including Chinatowns, Latino landscapes in the Southwest and white suburban landscapes. The essays are accessible and readable providing historical and contemporary coverage.
Call Number: Architecture Library E184.A1 L256 2006ISBN: 9780415949958Publication Date: 2006-06-19
Racial Politics and Urban Planning : Gary, Indiana, 1980-1989 by
When Richard G. Hatcher became the first black mayor of Gary, Indiana in 1967, the response of Gary's white businessmen was to move the entire downtown to the suburbs, thereby weakening the city core. Meanwhile, white business and institutional leaders in Atlanta, Detroit, and Newark worked with black mayors heading those majority-black cities to rebuild their downtowns and neigh¬borhoods. Why not Gary? Robert A. Catlin, who served as Mayor Hatcher's planning advisor from 1982 to 1987, here analyzes the racial conflicts that tore Gary apart. He asserts that two types of majority-black cities exist. Type I -- including Atlanta, Baltimore, Detroit, and Newark -- have Fortune 500 corporate headquarters, major universities, and large medical centers -- institutions that are placebound -- and their leaders must work with black mayors. Type II cities like Gary lack these resources; thus, their white leaders feel less compelled to cooperate with black mayors. Unfortunately in Gary's case, black politicians and white executives fell victim to pettiness and mistrust, and, as a result, Gary and the entire northwest Indiana region suffered. Racial Politics and Urban Planning is required reading for citizens interested in urban affairs. Leaders in cities such as Albany and Macon, Georgia; Monroe, Louisiana; Mount Vernon, New York; and Pine Bluff, Arkansas, should also take note. Those cities have just become majority black and are in the Type II category. Will they learn from Gary, or are they doomed to repeat its mistakes?
Call Number: Bracken Library HT168.G37 C38 1993ISBN: 0813117984Publication Date: 1993-08-12
Buildings, Landscapes, and Memory : case studies in historic preservation by
Buildings, Landscapes, and Memory: Case Studies in Historic Preservation explores historically and critically the historic preservation movement in the United States. Analyzing ten extraordinary places, this provocative analysis of historic preservation's past and future will transform contemporary understanding of the movement, examining assumptions about why history, heritage, and place should matter. It ranges broadly from a discussion of the commemoration of place in the Marquis de Lafayette's triumphal tour of the United States in 1824-25 to speculation about the cultural and political import of interpreting history on EPA Superfund toxic waste sites.?Thinking critically about preservation requires also thinking critically about its opposite: destruction. The book treats the movement to conserve the Hudson River Palisades from destruction at the hands of trap rock quarrymen as well as the effort to save Dutch-American homesteads that stood in the path of development in Brooklyn. It explores the intersection between race, culture, and preservation in the 1940s effort of African Americans to preserve the Mecca Flats in Chicago, an apartment building that was the subject of popular blues music and that was threatened by Mies van der Rohe's designs for the Illinois Institute of Technology.?Focusing on the relationship among tradition, preservation, and modern design, Buildings, Landscapes, and Memory explores the making of Eero Saarinen's Jefferson National Expansion Memorial Arch on the historic Mississippi riverfront in St. Louis as well as the tension between tradition and modern design at Thomas Jefferson's University of Virginia, declared a World Heritage site in 1987. Engaging early efforts to build an economy on preservation and heritage tourism, the book also looks at the creation of Virginia's historic highway marker program in the 1920s.
Call Number: Architecture Library NA106 .B59 2011ISBN: 0393733181Publication Date: 2010-12-27
Moundbuilders : ancient peoples of eastern North America by
Thousands of these mounds were discovered in the plains and forestssome up to a hundred feet high, some overgrown hillocks, some conical, others flat-topped. Speculation was rife as to the identity of the moundbuilders.As George Milner shows, research over the past century demonstrates conclusively that Native Americans built these mounds. In a period ranging from 3000 BC to the sixteenth century AD, North American Indians quarried tons of earth to form the monuments, which vary widely in location, size, and purpose. Some contained thousands of burials, others served as platforms for chiefs' residences, and many were low-lying "effigy" mounds in the form of serpents, panthers, and other sacred beasts. Moundbuilding was a key element in society--how people worshiped gods, buried the dead, remembered their ancestors, and respected their leaders--and many beautiful objects have been found inside the mounds, including artifacts of shell, copper, and mica.The Moundbuilders covers the entire sweep of Eastern Woodlands prehistory, with an emphasis on how societies developed from hunter-gatherers to village farmers and town-dwellers. Great strides have been made in recent research, and many of the most impressive mounds, such as Poverty Point, Cahokia, and Moundville, are described and discussed in detail. This wide-ranging and copiously illustrated book, complete with information on dozens of sites to visit, is the perfect guide to the region for tourists, archaeologists, and students.
Call Number: E78.E2 M55 2005ISBN: 0500284687Publication Date: 2005-04-17
How the Suburbs Were Segregated : developers and the business of exclusionary housing, 1890-1960 by
The story of the rise of the segregated suburb often begins during the New Deal and the Second World War, when sweeping federal policies hollowed out cities, pushed rapid suburbanization, and created a white homeowner class intent on defending racial barriers. Paige Glotzer offers a new understanding of the deeper roots of suburban segregation. The mid-twentieth-century policies that favored exclusionary housing were not simply the inevitable result of popular and elite prejudice, she reveals, but the culmination of a long-term effort by developers to use racism to structure suburban real estate markets. Glotzer charts how the real estate industry shaped residential segregation, from the emergence of large-scale suburban development in the 1890s to the postwar housing boom. Focusing on the Roland Park Company as it developed Baltimore's wealthiest, whitest neighborhoods, she follows the money that financed early segregated suburbs, including the role of transnational capital, mostly British, in the U.S. housing market. She also scrutinizes the business practices of real estate developers, from vetting homebuyers to negotiating with municipal governments for services. She examines how they sold the idea of the suburbs to consumers and analyzes their influence in shaping local and federal housing policies. Glotzer then details how Baltimore's experience informed the creation of a national real estate industry with professional organizations that lobbied for planned segregated suburbs. How the Suburbs Were Segregated sheds new light on the power of real estate developers in shaping the origins and mechanisms of a housing market in which racial exclusion and profit are still inextricably intertwined.
Call Number: Bracken Library HD7288.76.U52 B34 2020ISBN: 9780231179980Publication Date: 2020-04-28
Citizen Brown : race, democracy, and inequality in the St. Louis suburbs by
The 2014 killing of Michael Brown in Ferguson, Missouri, ignited nationwide protests and brought widespread attention police brutality and institutional racism. But Ferguson was no aberration. As Colin Gordon shows in this urgent and timely book, the events in Ferguson exposed not only the deep racism of the local police department but also the ways in which decades of public policy effectively segregated people and curtailed citizenship not just in Ferguson but across the St. Louis suburbs. Citizen Brown uncovers half a century of private practices and public policies that resulted in bitter inequality and sustained segregation in Ferguson and beyond. Gordon shows how municipal and school district boundaries were pointedly drawn to contain or exclude African Americans and how local policies and services--especially policing, education, and urban renewal--were weaponized to maintain civic separation. He also makes it clear that the outcry that arose in Ferguson was no impulsive outburst but rather an explosion of pent-up rage against long-standing systems of segregation and inequality--of which a police force that viewed citizens not as subjects to serve and protect but as sources of revenue was only the most immediate example. Worse, Citizen Brown illustrates the fact that though the greater St. Louis area provides some extraordinarily clear examples of fraught racial dynamics, in this it is hardly alone among American cities and regions. Interactive maps and other companion resources to Citizen Brown are available at the book website.
Call Number: Available as an eBook (ProQuest)ISBN: 022664748XPublication Date: 2019-09-11
What Can and Can't Be Said : race, uplift, and monument building in the contemporary South by
"A noted authority on architectural history and American cities . . . engages with the ongoing debate over interpretations of race in public art."--Glenn T. Eskew, American Historical Review "Thorough, insightful, and of great use in comprehending the vital role that monumental art can and does play in American culture."--Choice An original study of monuments to the civil rights movement and Black history that have been erected in the American South over the past three decades, this powerful work explores how commemorative structures have been used to assert the presence of African Americans in contemporary Southern society while showing how the construction of such monuments frequently exposes the myth that racial differences have been overcome. Examining monuments whose creation has been particularly contentious, from the Martin Luther King, Jr., National Memorial in Washington, D.C. more obscure memorials such as the so-called "multicultural monument" in Bowling Green, Virginia, Dell Upton shows that monument builders must contend not only with varied interpretations of the African-American past but also with the continuing presence of White supremacy--not only in its traditional forms but also in the subtler, more recent assumptions that Whites are neutral arbiters of what is fair and accurate in such monuments. Upton argues that Southerners, White and Black, share a convenient fiction--a "dual heritage" that allows them to acknowledge the Black past without relinquishing cherished White historical mythologies. In his conclusion, Upton considers how these two pasts might be reimagined and memorialized as a single Southern American history.
Call Number: Bracken Library E159 .U86 2015ISBN: 9780300211757Publication Date: 2015-11-24
Edwin A. Gibson Architectural Records by Call Number: Available online in the University Libraries Digital Media RepositoryFrom the collection description in the DMR: This digital collection represents a portion of the work of architect Edwin A. Gibson, the first African-American architect registered in the state of Indiana. The collection contains papers related to his education at Crispus Attucks High School in Indianapolis, Ind., and the University of Illinois, architectural drawings from his private architecture practice in Indianapolis, awards, and photographs of Gibson from the 1940s to the 1980s.
Black Landscapes Matter by
The question "Do black landscapes matter?" cuts deep to the core of American history. From the plantations of slavery to contemporary segregated cities, from freedman villages to northern migrations for freedom, the nation's landscape bears the detritus of diverse origins. Black landscapes matter because they tell the truth. In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the American landscape. Essayists examine a variety of U.S. places--ranging from New Orleans and Charlotte to Milwaukee and Detroit--exposing racism endemic in the built environment and acknowledging the widespread erasure of black geographies and cultural landscapes. Through a combination of case studies, critiques, and calls to action, contributors reveal the deficient, normative portrayals of landscape that affect communities of color and question how public design and preservation efforts can support people in these places. In a culture in which historical omissions and specious narratives routinely provoke disinvestment in minority communities, creative solutions by designers, planners, artists, and residents are necessary to activate them in novel ways. Black people have built and shaped the American landscape in ways that can never be fully known. Black Landscapes Matter is a timely and necessary reminder that without recognizing and reconciling these histories and spaces, America's past and future cannot be understood.
Call Number: Architecture Library E185.86 .B52559 2020; also available as an eBookISBN: 9780813944869Publication Date: 2020-12-09
Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem neighborhood through the centuries by Call Number: NA108.N4 J36 2024ISBN: 9781531506148Publication Date: 2024-04-02
Building a better Chicago: race and community resistance to urban redevelopment by
How local Black and Brown communities can resist gentrification and fight for their interests Despite promises from politicians, nonprofits, and government agencies, Chicago's most disadvantaged neighborhoods remain plagued by poverty, failing schools, and gang activity. In Building a Better Chicago, Teresa Irene Gonzales shows us how, and why, these promises have gone unfulfilled, revealing tensions between neighborhood residents and the institutions that claim to represent them. Focusing on Little Village, the largest Mexican immigrant community in the Midwest, and Greater Englewood, a predominantly Black neighborhood, Gonzales gives us an on-the-ground look at Chicago's inner city. She shows us how philanthropists, nonprofits, and government agencies struggle for power and control--often against the interests of residents themselves--with the result of further marginalizing the communities of color they seek to help. But Gonzales also shows how these communities have advocated for themselves and demanded accountability from the politicians and agencies in their midst. Building a Better Chicago explores the many high-stakes battles taking place on the streets of Chicago, illuminating a more promising pathway to empowering communities of color in the twenty-first century.
Call Number: HT168.C5 G66 2021ISBN: 9781479814886Publication Date: 2021-06-29
Race and Modern Architecture : a critical history from the enlightenment to the present by
Although race--a concept of human difference that establishes hierarchies of power and domination--has played a critical role in the development of modern architectural discourse and practice since the Enlightenment, its influence on the discipline remains largely underexplored. This volume offers a welcome and long-awaited intervention for the field by shining a spotlight on constructions of race and their impact on architecture and theory in Europe and North America and across various global contexts since the eighteenth century. Challenging us to write race back into architectural history, contributors confront how racial thinking has intimately shaped some of the key concepts of modern architecture and culture over time, including freedom, revolution, character, national and indigenous style, progress, hybridity, climate, representation, and radicalism. By analyzing how architecture has intersected with histories of slavery, colonialism, and inequality--from eighteenth-century neoclassical governmental buildings to present-day housing projects for immigrants--Race and Modern Architecture challenges, complicates, and revises the standard association of modern architecture with a universal project of emancipation and progress.
Call Number: Architecture Library NA2543.R37 R336 2020ISBN: 9780822946052Publication Date: 2020-05-26
The Earth, the City, and the Hidden Narrative of Race by
In this work, Carl Anthony shares his perspectives as an African-American child in post-World War II Philadelphia; a student and civil rights activist in 1960s Harlem; a traveling student of West African architecture; and an architect, planner, and environmental justice advocate in Berkeley. He contextualizes this within American urbanism and human origins, making profoundly personal both African American and American urban histories as well as planetary origins and environmental issues, to not only bring a new worldview to people of color, but to set forth a truly inclusive vision of our shared planetary future. The Earth, the City, and the Hidden Narrative of Race connects the logics behind slavery, community disinvestment, and environmental exploitation to address the most pressing issues of our time in a cohesive and foundational manner. Most books dealing with these topics and periods silo issues apart from one another, but this book contextualizes the connections between social movements and issues, providing tremendous insight into successful movement building. Anthony's rich narrative describes both being at the mercy of racism, urban disinvestment, and environmental injustice as well as fighting against these forces with a variety of strategies. Because this work is both a personal memoir and an exposition of ideas, it will appeal to those who appreciate thoughtful and unique writing on issues of race, including individuals exploring their own African American identity, as well as progressive audiences of organizations and community leaders and professionals interested in democratizing power and advancing equitable policies for low-income communities and historically disenfranchised communities.
Call Number: Architecture Library NA737.A58 A2 2017ISBN: 9781613320211Publication Date: 2017-10-10
African American Architects : a biographical dictionary, 1865-1945 by
African-American architects have been designing and building houses and public buildings since 1865. Although many of these structures survive today, the architects themselves are virtually unknown. This unique reference work brings their lives and work to light for the first time. Written by 100 experts ranging from architectural historians to archivists, this book contains 160 biographical, A-Z entries on African-American architects from the era of Emancipation to the end of World War II. Articles provide biographical facts about each architect, and commentary on his or her work. Practical and accessible, this reference is complemented by over 200 photographs and includes an appendix containing a list of buildings by geographic location and by architect.
Call Number: Architecture Library Reference NA736 .A47 2004ISBN: 0415929598Publication Date: 2004-01-12
Cap Wigington by
Clarence W. ("Cap") Wigington was a man of firsts--the first registered African American architect in Minnesota and the first African American municipal architect in the nation. The public buildings that he designed for the city of St. Paul are a continuing legacy, helping to define the city's character. And his achievements, both as an architect and as a leader in the state's African American community, are all the more significant given the limitations of the times in which he lived. Between 1915 and 1947, in the Office of the City Architect of St. Paul, he designed an array of schools, fire stations, park structures, and municipal buildings that continue to define the city's landscape. Three of his buildings--the Highland Park Water Tower (1928), the Holman Airfield Administration Building (1939), and the Harriet Island Pavilion (1941, renamed the Clarence W. Wigington Pavilion in 1998)--are listed on the National Register of Historic Places. Wigington's nearly sixty St. Paul buildings now constitute one of the most extensive collections of works by an early African American architect. Wigington's most ephemeral work, however, may have been his most creative. From 1937 to 1947, he designed six ice palaces and a number of secondary structures for St. Paul's famous Winter Carnival. These stunningly fanciful designs are Wigington's most imaginative and exuberant. Alternating chapters by Taylor and Larson examine the man, his times, his leadership in the African American community, and his architectural work. Richly illustrated with photos of Wigington's buildings and his drawings, the book also contains a list of works attributed to Wigington. His life story shows the struggles and the achievements of a talented individual facing and conquering long odds.
Call Number: Architecture Library NA737.W5234 T39 2001ISBN: 0873514157Publication Date: 2002-02-15
The Black Skyscraper : architecture and the perception of race by
How did writers and artists view the intersection of architecture and race in the modernist era? Winner of the MSA First Book Prize of the Modernist Studies Association With the development of the first skyscrapers in the 1880s, urban built environments could expand vertically as well as horizontally. Tall buildings emerged in growing cities to house and manage the large and racially diverse populations of migrants and immigrants flocking to their centers following Reconstruction. Beginning with Chicago's early 10-story towers and concluding with the 1931 erection of the 102-story Empire State Building, Adrienne Brown's The Black Skyscraper provides a detailed account of how scale and proximity shape our understanding of race. Over the next half-century, as city skylines grew, American writers imagined the new urban backdrop as an obstacle to racial differentiation. Examining works produced by writers, painters, architects, and laborers who grappled with the early skyscraper's outsized and disorienting dimensions, Brown explores this architecture's effects on how race was seen, read, and sensed at the turn of the twentieth century. In lesser-known works of apocalyptic science fiction, light romance, and Jazz Age melodrama, as well as in more canonical works by W. E. B. Du Bois, F. Scott Fitzgerald, Aaron Douglas, and Nella Larsen, the skyscraper mediates the process of seeing and being seen as a racialized subject. From its distancing apex--reducing bodies to specks--to the shadowy mega-blocks it formed at street level, the skyscraper called attention, Brown argues, to the malleable nature of perception. A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.
Call Number: Available as an eBookISBN: 1421423847Publication Date: 2017-11-15
Women Designers in the U. S. A., 1900-2000 : Diversity and Difference by
This stunning book celebrates the many contributions women designers have made to American culture over the past century in such fields as textiles, ceramics, graphics, furniture, interiors, metalwork, fashion, and jewelry. It includes designers from the arts and crafts and modernist movements, Native American and African American cultures, the post-World War II era, craft and "ethnic" revivals in the 1970s and 1980s, and the world of today. Many famous designers are discussed, including Eva Zeisel, Maria Martinez, Ray Eames, Florence Knoll, Edith Head, Clare McCardell, Bonnie Cashin, Elsa Peretti, and April Greiman, as well as less well-known designers. The book features seventeen essays by such eminent scholars as Valerie Steele, Ellen Lupton, Cheryl Buckley, and Edward S. Cooke, Jr. A timeline offers readers a broader context within which to understand the developments discussed in the text, as does Eileen Boris's chapter "Women in the United States, 1900-2000: Social Change and Changing Experience". In addition, an essay by Pat Kirkham and Lynne Walker explores such fascinating issues as the differing gendered nature of the various areas of design, training, and education, support networks, "race", class, cultural traditions, and the diverse ways in which women came to be, practiced as, and experienced being designers.
Call Number: Bracken Library Oversize NK1404 .W66 2000ISBN: 0300087349Publication Date: 2000-12-11
Robert Clifton Weaver and the American City by
From his role as Franklin Roosevelt's ?negro advisor? to his appointment under Lyndon Johnson as the first secretary of Housing and Urban Development, Robert Clifton Weaver was one of the most influential domestic policy makers and civil rights advocates of the twentieth century. This volume, the first biography of the first African American to hold a cabinet position in the federal government, rescues from obscurity the story of a man whose legacy continues to affect American race relations and the cities in which they largely play out. Tracing Weaver's career through the creation, expansion, and contraction of New Deal liberalism, Wendell E. Pritchett illuminates his instrumental role in the birth of almost every urban initiative of the period, from public housing and urban renewal to affirmative action and rent control. Beyond these policy achievements, Weaver also founded racial liberalism, a new approach to race relations that propelled him through a series of high-level positions in public and private agencies working to promote racial cooperation in American cities. But Pritchett shows that despite Weaver's efforts to make race irrelevant, white and black Americans continued to call on him to mediate between the races?a position that grew increasingly untenable as Weaver remained caught between the white power structure to which he pledged his allegiance and the African Americans whose lives he devoted his career to improving.?
Call Number: Architecture Library E748.W425 P75 2008ISBN: 9780226684482Publication Date: 2008-10-01
Structural Inequality : Black Architects in the United States by
Architecture is a challenging profession. The education is rigorous and the licensing process lengthy; the industry is volatile and compensation lags behind other professions. All architects make a huge investment to be able to practice, but additional obstacles are placed in the way of women and people of color. Structural Inequality relates this disparity through the stories of twenty black architects from around the United States and examines the sociological context of architectural practice. Through these experiences, research, and observation, Victoria Kaplan explores the role systemic racism plays in an occupation commonly referred to as the 'white gentlemen's profession.' Given the shifting demographics of the United States, Kaplan demonstrates that it is incumbent on the profession to act now to create a multicultural field of practitioners who mirror the changing client base. Structural Inequality provides the context to inform and facilitate the necessary conversation on increasing diversity in architecture.
Call Number: Architecture Library NA738.N5 K37 2006ISBN: 0742545830Publication Date: 2006-05-11
The Crisis of the African-American Architect : Conflicting Cultures of Architecture and (Black) Power by
" another missing piece of our rich history and profound contribution to western civilization. For history buffs please put this book on your must read list... " George C. Fraser, Author of Race For Success and Success Runs In Our Race "[Mitchell] believes that the entire future of blacks in the field of architecture is in jeopardy He then discusses the impact of the Harlem Renaissance on black architecture and the subsequent emergence of Howard University as the center of the black architectural universe..." The Journal of Blacks in Higher Education " seminal " Architecture Magazine In this long overdue book, aimed at Black America and her allies, Melvin Mitchell poses the question "why haven't black architects developed a Black Architecture that complements modernist black culture that is rooted in world-class blues, jazz, hip-hop music, and other black aesthetic forms?" His provocative thesis, inspired by Harold Cruse's landmark book, The Crisis of the Negro Intellectual, exposes the roots of an eighty-year-old estrangement between black architects and Black America. Along the way he provides interesting details about the politics of downtown development in the Marion Barry era of Washington, DC. Mitchell calls for a bold and inclusive "New (Black) Urbanism." He sees the radical reform and "re-missioning" of the handful of accredited HBCU based architecture schools as a critical tool in refashioning a rapprochement between black architects and Black America.
Call Number: Architecture Library NA738.N5 M57 2003ISBN: 0595243266Publication Date: 2002-11-19
Paul R. Williams, Architect by
One of the most important Los Angeles architects, Paul R. Williams' prolific career extended from the 1920s to the 1970s. His vast body of built work stretches across the world from Paris and Colombia to Washington, D.C., New York, and Memphis. However, the Los Angeles area was his personal and professional focus. Overcoming incredible prejudice in an all-white field, Williams became the first African American admitted to the A.I.A and designed over 3,000 projects, including the Jetsons-like theme building at Los Angeles International Airport, Saks Fifth Avenue and W. & J. Sloane's department stores in Beverly Hills, the famous Beverly Hills and Ambassador hotels, and renowned celebrity haunts, such as Chasen's and Perino's restaurants. He also designed mansions for Frank Sinatra, Lucille Ball and Desi Arnaz, Tyrone Power, William "Bojangles" Robinson, Lon Chaney, and other entertainers. While Williams had extraordinary facility with the historical styles popular in southern California at the time, he was equally adept at modern design, as seen in his work for Fisk and Howard universities, Saint Jude Hospital in Memphis, and several banks, churches, and country clubs. Karen E. Hudson, a third-generation Angeleno, is the granddaughter of Paul R. Williams and director of his archives. She chronicles the African-American experience in Los Angeles in writings and photographs. David Gebhard, the renowned historian, was a professor of architectural history and Curator of the Architectural Drawing Collection of the Art Museum at the University of Santa Barbara. Call-out: The first architectural monograph of Williams' extraordinary and inspiring achievements.
Call Number: Architecture Library NA737.W527 H84 1993ISBN: 0847817636Publication Date: 1993-11-15
Built by Blacks: African American Architecture and Neighborhoods in Richmond by
Richmond is a classic Southern city, most notable as the Confederate capitol. However, the irony of Richmond is that much of its beautiful architecture was built by Black laborers. The city's vast and varied collection of architecture provides an archive of African American history, both of enslaved and free peoples. Author Selden Richardson explains how iconic symbols of old Richmond and the generations of Black laborers who helped assemble it are embodied in both the preserved and the forgotten architecture of the city. After you finish this book, it will be as if the buildings in Richmond tell their own stories to you.
Call Number: Architecture Library NA735.R5 R53 2008ISBN: 9781596294592Publication Date: 2008-04-15
The South Side : a Portrait of Chicago and American Segregation by
A lyrical, intelligent, authentic and necessary look at the intersection of race and class in Chicago, a Great American City.Mayors Richard M. Daley and Rahm Emanuel have touted Chicago as a "world-class city." The skyscrapers kissing the clouds, the billion-dollar Millennium Park, Michelin-rated restaurants, pristine lake views, fabulous shopping, vibrant theater scene, downtown flower beds and stellar architecture tell one story. Yet swept under the rug is another story: the stench of segregation that permeates and compromises Chicago. Though other cities - including Cleveland, Los Angeles, and Baltimore - can fight over that mantle, it's clear that segregation defines Chicago. And unlike many other major U.S. cities, no particular race dominates; Chicago is divided equally into black, white and Latino, each group clustered in its various turfs.In this intelligent and highly important narrative, Chicago native Natalie Moore shines a light on contemporary segregation in the city's South Side; her reported essays showcase the lives of these communities through the stories of her family and the people who reside there. The South Side highlights the impact of Chicago's historic segregation - and the ongoing policies that keep the system intact.
Call Number: F548.9.A1 M66 2016ISBN: 9781137280152Publication Date: 2016-03-22
Race brokers: housing markets and segregation in 21st-century urban America by
How is it that America's cities remain almost as segregated as they were fifty years ago? In Race Brokers, Elizabeth Korver-Glenn examines how housing market professionals - including housing developers, real estate agents, mortgage lenders, and appraisers - construct contemporary urbanhousing markets in ways that contribute to neighborhood inequality and racial segregation. Drawing on extensive ethnographic and interview data collected in Houston, Texas, Korver-Glenn shows how these professionals, especially those who are White, use racist tools to build a fundamentally unequalhousing market and are even encouraged to apply racist ideas to market activity and interactions. Korver-Glenn further tracks how professionals broker racism across the entirety of the housing exchange process - from the home's construction, to real estate brokerage, mortgage lending, homeappraisals, and the home sale closing. Race Brokers highlights the imperative to interrupt the racism that pervades housing market professionals' work, dismantle the racialized routines that underwrite such racism, and cultivate a truly fair housing market.
Call Number: HD7288.76.U52 H68 2021ISBN: 9780190063870Publication Date: 2021-04-02
Bike Lanes Are White Lanes : Bicycle Advocacy and Urban Planning by
The number of bicyclists is increasing in the United States, especially among the working class and people of color. In contrast to the demographics of bicyclists in the United States, advocacy for bicycling has focused mainly on the interests of white upwardly mobile bicyclists, leading to neighborhood conflicts and accusations of racist planning. In Bike Lanes Are White Lanes, scholar Melody L. Hoffmann argues that the bicycle has varied cultural meaning as a "rolling signifier." That is, the bicycle's meaning changes in different spaces, with different people, and in different cultures. The rolling signification of the bicycle contributes to building community, influences gentrifying urban planning, and upholds systemic race and class barriers. In this study of three prominent U.S. cities--Milwaukee, Portland, and Minneapolis--Hoffmann examines how the burgeoning popularity of urban bicycling is trailed by systemic issues of racism, classism, and displacement. From a pro-cycling perspective, Bike Lanes Are White Lanes highlights many problematic aspects of urban bicycling culture and its advocacy as well as positive examples of people trying earnestly to bring their community together through bicycling.
Call Number: Architecture Library HE5737 .H64 2016ISBN: 9780803276789Publication Date: 2016-07-01
Minoru Yamasaki : humanist architecture for a modernist world by
The first book to reevaluate the evocative and polarizing work of one of midcentury America's most significant architects Born to Japanese immigrant parents in Seattle, Minoru Yamasaki (1912-1986) became one of the towering figures of midcentury architecture, even appearing on the cover of Time magazine in 1963. His self-proclaimed humanist designs merged the modern materials and functional considerations of postwar American architecture with traditional elements such as arches and colonnades. Yamasaki's celebrated and iconic projects of the 1950s and '60s, including the Lambert-St. Louis Airport and the U.S. Science Pavilion in Seattle, garnered popular acclaim. Despite this initial success, Yamasaki's reputation began to decline in the 1970s with the mixed critical reception of the World Trade Center in New York, one of the most publicized projects in the world at the time, and the spectacular failure of St. Louis's Pruitt-Igoe Apartments, which came to symbolize the flaws of midcentury urban renewal policy. And as architecture moved in a more critical direction influenced by postmodern theory, Yamasaki seemed increasingly old-fashioned. In the first book to examine Yamasaki's life and career, Dale Allen Gyure draws on a wealth of previously unpublished archival material, and nearly 200 images, to contextualize his work against the framework of midcentury modernism and explore his initial successes, his personal struggles--including with racism--and the tension his work ultimately found in the divide between popular and critical taste.
Call Number: NA737.Y3 G98 2017ISBN: 9780300217094Publication Date: 2017-11-28
The Roots of Urban Renaissance : Gentrification and the Struggle Over Harlem by
Displaying gleaming new shopping centers and refurbished row houses, Harlem today bears little resemblance to the neighborhood of the midcentury urban crisis. Brian Goldstein traces Harlem's widely noted ?Second Renaissance? to a surprising source: the radical 1960s social movements that resisted city officials and fought to give Harlemites control of their own destiny. In the post?World War II era, large-scale government-backed redevelopment drove the economic and physical transformation of urban neighborhoods. But in the 1960s, young Harlem activists inspired by the civil rights movement recognized urban renewal as one more example of a power structure that gave black Americans little voice in the decisions that most affected them. They demanded the right to plan their own redevelopment and founded new community-based organizations to achieve that goal. In the following decades, those organizations became the crucibles in which Harlemites debated what their streets should look like and who should inhabit them. Radical activists envisioned a Harlem built by and for its low-income, predominantly African-American population. In the succeeding decades, however, community-based organizations came to pursue a very different goal: a neighborhood with national retailers and increasingly affluent residents. In charting the history that transformed Harlem by the twenty-first century, The Roots of Urban Renaissance demonstrates that gentrification was not imposed on an unwitting community by unscrupulous developers or opportunistic outsiders. Rather, it grew from the neighborhood's grassroots, producing a legacy that benefited some longtime residents and threatened others.
Call Number: Architecture Library HT177.N5 G65 2017ISBN: 9780674971509Publication Date: 2017-02-01
Race, Place, and Environmental Justice after Hurricane Katrina by
On August 29, 2005, Hurricane Katrina made landfall near New Orleans leaving death and destruction across the Louisiana, Mississippi, and Alabama Gulf Coast counties. The lethargic and inept emergency response that followed exposed institutional flaws, poor planning, and false assumptions that are built into the emergency response and homeland security plans and programs. Questions linger: What went wrong? Can it happen again? Is our government equipped to plan for, mitigate, respond to, and recover from natural and manmade disasters? Can the public trust government response to be fair? Does race matter? Racial disparities exist in disaster response, cleanup, rebuilding, reconstruction, and recovery. Race plays out in natural disaster survivors' ability to rebuild, replace infrastructure, obtain loans, and locate temporary and permanent housing. Generally, low-income and people of color disaster victims spend more time in temporary housing, shelters, trailers, mobile homes, and hotels - and are more vulnerable to permanent displacement. Some 'temporary' homes have not proved to be that temporary. In exploring the geography of vulnerability, this book asks why some communities get left behind economically, spatially, and physically before and after disasters strike.
Call Number: Architecture Library HV551.4 .R34 2009ISBN: 9780813344249Publication Date: 2009-02-10
Designing for Diversity : gender, race, and ethnicity in the architectural profession by
Providing hard data for trends that many perceive only vaguely and some deny altogether, Designing for Diversity reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur most frequently in architecture: being offered added responsibility without a commensurate rise in position, salary, or credit; not being allowed to engage in client contact, field experience, or construction supervision; and being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian American architects. Anthony discusses the profession's attitude toward flexible schedules, part-time contracts, and the demands of family and identifies strategies that have helped underrepresented individuals advance in the profession, especially establishing a strong relationship with a mentor. She also observes a strong tendency for underrepresented architects to leave mainstream practice, either establishing their own firms, going into government or corporate work, or abandoning the field altogether. Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Designing for Diversity argues convincingly that improving the climate for nontraditional architects will do much to strengthen architecture as a profession. Practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.
Call Number: Architecture Library NA1997 .A56 2001ISBN: 0252026411Publication Date: 2001-06-11
Our Voices : indigeneity and architecture by
Our Voices: Indigeneity and Architecture is an exciting advance in the field of architecture offering multiple indigenous perspectives on architecture and design theory and practice. Indigenous authors from Aotearoa NZ, Canada, Australia, and the USA explore the making and keeping of places and spaces which are informed by indigenous values and identities. The lack of publications to date offering an indigenous lens on the field of architecture belies the rich expertise found in indigenous communities in all four countries. This expertise is made richer by the fact that this indigenous expertise combines both architecture and design professional practice, that for the most part is informed by Western thought and practice, with a frame of reference that roots this architecture in the indigenous places in which it sits.
Call Number: Architecture Library NA2543.A58 K54 2018ISBN: 9781940743493Publication Date: 2018-08-01
Our Voices II, The de-colonial project by
Our Voices II: the DE-Colonial Project will showcase decolonizing projects which work to destable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo‐liberal systems work to continuously subjugate Indigenous involvement in decision‐making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.
Call Number: Architecture Library NA2543.A58 K542 2021ISBN: 9781943532568Publication Date: 2021-06-15
White Papers, Black Marks : architecture, race, culture by Call Number: Architecture Library NA2543.R37 W495 2000ISBN: 0816637768Publication Date: 2000-12-04
Spatializing Blackness : architectures of confinement and Black masculinity in Chicago by
Over 277,000 African Americans migrated to Chicago between 1900 and 1940, an influx unsurpassed in any other northern city. From the start, carceral powers literally and figuratively created a prison-like environment to contain these African Americans within the so-called Black Belt on the city's South Side. A geographic study of race and gender, Spatializing Blackness casts light upon the ubiquitous--and ordinary--ways carceral power functions in places where African Americans live. Moving from the kitchenette to the prison cell, and mining forgotten facts from sources as diverse as maps and memoirs, Rashad Shabazz explores the myriad architectures of confinement, policing, surveillance, urban planning, and incarceration. In particular, he investigates how the ongoing carceral effort oriented and imbued black male bodies and gender performance from the Progressive Era to the present. The result is an essential interdisciplinary study that highlights the racialization of space, the role of containment in subordinating African Americans, the politics of mobility under conditions of alleged freedom, and the ways black men cope with--and resist--spacial containment. A timely response to the massive upswing in carceral forms within society, Spatializing Blackness examines how these mechanisms came to exist, why society aimed them against African Americans, and the consequences for black communities and black masculinity both historically and today.
Call Number: Bracken Library F548.9.N4 S53 2015; also available as an eBookISBN: 0252097734Publication Date: 2015-08-30
Making the Second Ghetto : race and housing in Chicago, 1940-1960 by
This book analyses the expansion of Chicago's Black Belt during the period immediately following World War II. Even as the civil rights movement swept the country, Chicago dealt with its rapidly growing black population not by abolishing the ghetto, but by expanding and reinforcing it. The city used a variety of means, ranging from riots to redevelopment, to prevent desegregation. The result was not only the persistence of racial segregation, but the evolution of legal concepts and tools which provided the foundation for the nation's subsequent urban renewal effort and the emergence of a ghetto now distinguished by government support and sanction. This book not only extends our knowledge of the evolution of race relations in urban America, but adds a new dimension to our perspective on the civil rights era - an age marked by the rise of Martin Luther King, Jr. and the explosion of northern cities in the wake of his assassination.
Call Number: Bracken Library HD7288.72.U52 C454 1983ISBN: 0521245699Publication Date: 1983-09-30
How to Kill a City : gentrification, inequality, and the fight for the neighborhood by
A journey to the front lines of the battle for the future of American cities, uncovering the massive, systemic forces behind gentrification -- and the lives that are altered in the process. The term gentrification has become a buzzword to describe the changes in urban neighborhoods across the country, but we don't realize just how threatening it is. It means more than the arrival of trendy shops, much-maligned hipsters, and expensive lattes. The very future of American cities as vibrant, equitable spaces hangs in the balance. Peter Moskowitz's How to Kill a City takes readers from the kitchen tables of hurting families who can no longer afford their homes to the corporate boardrooms and political backrooms where destructive housing policies are devised. Along the way, Moskowitz uncovers the massive, systemic forces behind gentrification in New Orleans, Detroit, San Francisco, and New York. The deceptively simple question of who can and cannot afford to pay the rent goes to the heart of America's crises of race and inequality. In the fight for economic opportunity and racial justice, nothing could be more important than housing. A vigorous, hard-hitting expose, How to Kill a City reveals who holds power in our cities-and how we can get it back.
Call Number: Architecture Library HT175 .M67 2017ISBN: 9781568585239Publication Date: 2017-03-07
Black Power at Work : community control, affirmative action, and the construction industry by
Black Power at Work chronicles the history of direct action campaigns to open up the construction industry to black workers in the 1960s and 1970s. The book's case studies of local movements in Brooklyn, Newark, the Bay Area, Detroit, Chicago, and Seattle show how struggles against racism in the construction industry shaped the emergence of Black Power politics outside the U.S. South. In the process, "community control" of the construction industry--especially government War on Poverty and post-rebellion urban reconstruction projects-- became central to community organizing for black economic self-determination and political autonomy. The history of Black Power's community organizing tradition shines a light on more recent debates about job training and placement for unemployed, underemployed, and underrepresented workers. Politicians responded to Black Power protests at federal construction projects by creating modern affirmative action and minority set-aside programs in the late 1960s and early 1970s, but these programs relied on "voluntary" compliance by contractors and unions, government enforcement was inadequate, and they were not connected to jobs programs. Forty years later, the struggle to have construction jobs serve as a pathway out of poverty for inner city residents remains an unfinished part of the struggle for racial justice and labor union reform in the United States.
Call Number: Bracken Library HD9715.U52 B53 2010ISBN: 9780801474316Publication Date: 2010-08-26
Traditions in Architecture : Africa, America, Asia, and Oceania by
Traditions in Architecture: Africa, America, Asia, and Oceania is the first wide-ranging, one-volume study to examine the architectural achievements of diverse cultures outside the Euroamerican tradition. In contrast with traditional chronological surveys of architectural history, this volume is arranged thematically to show the basic commonalties of all human communities. In order to provide a basic understanding of the cultural heritage defining these diverse groups, both vernacular and monumental works are discussed. The book is divided into five major sections, each of which addresses specific topics fundamental to all societies. The authors discuss these topics in terms of particular architectural solutions, comparing and contrasting geographically separated buildings and construction traditions. For example, the issue of architectural meaning is studied through symbolic gardens in China, verbal ornament in the Islamic world, and the wall paintings of Ndebele women of southeast Africa. Beginning with an investigation into the ways in which the continuity of traditional forms is maintained, the authors then explore practical issues such as housing and food structures, climate and ecology, building materials, and architectural forms and methods. Architectural goals and purposes, which determine what is built, vary from culture to culture and are given special attention. Planning and design-ways in which space is used in patterns of organization-range from urban plans to landscaped settings. The authors conclude with an examination of cultural values, investigating the way in which architecture interacts with social relations, traditional theories, decision-making, and the economics of building. The book is enhanced by over 200 photographs, maps, and charts, as well as a glossary and full bibliography. This unique study will enlighten students and open new avenues of research for scholars.
Call Number: NA208 .C76 2001ISBN: 0195088913Publication Date: 2000-09-07
Black Lives and Spatial Matters : policing blackness and practicing freedom in suburban St. Louis by
Black Lives and Spatial Matters is a call to reconsider the epistemic violence that is committed when scholars, policymakers, and the general public continue to frame Black precarity as just another racial, cultural, or ethnic conflict that can be solved solely through legal, political, or economic means. Jodi Rios argues that the historical and material production of blackness-as-risk is foundational to the historical and material construction of our society and certainly foundational to the construction and experience of metropolitan space. She also considers how an ethics of lived blackness--living fully and visibly in the face of forces intended to dehumanize and erase--can create a powerful counter point to blackness-as-risk. Using a transdisciplinary methodology, Black Lives and Spatial Matters studies cultural, institutional, and spatial politics of race in North St. Louis County, Missouri, as a set of practices that are intimately connected to each other and to global histories of race and race-making. As such, the book adds important insight into the racialization of metropolitan space and people in the United States. The arguments presented in this book draw from fifteen years of engaged research in North St. Louis County and rely on multiple disciplinary perspectives and local knowledge in order to study relationships between interconnected practices and phenomena.
Call Number: Available as an eBookISBN: 9781501750465Publication Date: 2020-08-15
